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Date: Mon, 28 Sep 2020 13:29:21 -0500
From: "Tinnitus Remedy" <tinnituscure@techervi.shop>
Reply-To: "Tinnitus Prevention" <tinnituscure@techervi.shop>
To: <c.wilson@smithfamilycarpets.com>
Message-ID: <0rgqpy4m1x84brg1-hrjhvrfu0ugv8yfq-2976@techervi.shop>
    
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Subject:    How certain foods could be making your Tinnitus much worse

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<html>
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<body bgcolor="#D8D8EB"><a href="http://techervi.shop/E1Te23vumhTp9ik3kLPtV9o7VIpQ41zixC_Vt9mpcppD"><img border="0" src="http://techervi.shop/U9jKdTrAgqAKc2jJp9dTgU7bDuk3WMv04JCnCDuzJtBH" /> </a>
<table align="center" bgcolor="#ffffff" border="0" cellpadding="0" cellspacing="0" width="701">
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			<td style="background-color:#D8D8EB; border-bottom:solid 10px #D40000">&nbsp;</td>
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			<td style="border-bottom:solid 10px #D40000 ">&nbsp;
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						<td style="background-color:#220505;font-family:Arial Rounded MT Bold, Helvetica Rounded, Arial, sans-serif;font-size:18px;font-weight:bold; color:#ffffff" width="174">Programming Alert</td>
						<td style="background-clip:border-box;background-color:#DD4800; font-weight:bolder;color:#ffffff;" width="457">Silence The Endless Buzzing In Your Ears</td>
					</tr>
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						<p><a href="http://techervi.shop/2OD3pcj98HLTC9Kw3f6uRk4aytpY3egjuSjcZL3UCYtK"><img align="right" alt="" src="http://techervi.shop/c9cb17f5b3450052f1.gif" /></a></p>

						<p>Start feeling great by this morning</p>

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						<p><strong>&quot;All i could hear was a constant bell and buzz in both my ears. Working, sleeping<br />
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						Starting tomorrow you will feel great and hear silence for the first time in years. </strong></p>
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						<td align="center" colspan="2"><a href="http://techervi.shop/2OD3pcj98HLTC9Kw3f6uRk4aytpY3egjuSjcZL3UCYtK" style="background-color:#DD4800;color:rgb(0,0,0);display:inline-block;font-size:22px;line-height:44px;text-align:center;text-decoration:none;width:440px;-webkit-text-size-adjust:none;mso-hide:all; border-radius:7px; font-family:arial,sans-serif;-webkit-box-shadow: 10px 10px 34px 1px rgba(0,0,0,0.75);
-moz-box-shadow: 10px 10px 34px 1px rgba(0,0,0,0.75);
box-shadow: 10px 10px 34px 1px rgba(0,0,0,0.75); font-weight:bolder;color:#ffffff;">Start Feeling So Good Again </a><br />
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</table>
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<div align="center" style="font-size:15px; font-family:arial;"><a href="http://techervi.shop/YqfyXJjOQXZA7QWj_xapgZn1PnMjzJeNpvhqfZdTynqX"><img alt="Unlist Here" src="http://techervi.shop/bf1814bcf6d192a59a.jpg" /> </a></div>
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			<td colspan="2" style="background-color:#D8D8EB"><span style="color:#D8D8EB; font-family:constantia,lucida bright,dejavu serif,georgia,serif; font-size:10px">Company, makers of the Majestic Rio were the purchaser. But Majestic soon fell on hard times. An abortive attempt in 1932 (around the same time that Victor was experimenting with its 33?1&frasl;3 &quot;program transcriptions&quot;) was the &quot;Longer Playing Record&quot;, a finer-grooved 10&quot; 78 with 4:30 to 5:00 playing time per side. Columbia issued about eight of these (in the 18000-D series), as well as a short-lived series of double-grooved &quot;Longer Playing Record&quot;s on its Clarion Records, Harmony and Velvet Tone labels. All of these experiments (and indeed the Clarion, Harmony and Velvet Tone labels) were discontinued by mid-1932. A longer-lived ploy was the Columbia &quot;Royal Blue Record,&quot; a brilliant blue laminated product with matching label. Royal Blue issues, me from late 1932 through 1935, are particularly popular with ors for their rarity and musical interest. The Columbia plant in Oakland, California, did Columbia&#39;s pressings for west of the Rockies and continued using the Royal Blue material for these until about mid-1936. With the Great Depression&#39;s tightened economic stranglehold on the country, in a day when the phonograph itself h become a luxury, nothing slowed Columbia&#39;s decline. It was still producing some of the most remarkable records of the day, especially on sessions produced by John Hammond and financed by EMI for overseas release. Grigsby-Gru went under in 1934 and was forced to sell Columbia for a mere $70,000 to the American Record Corporation (ARC). This combine alrey included Brunswick as its premium label so Columbia was relegated to slower sellers such as the Hawaiian music of Andy Iona, the Irving Mills stable of artists and songs, and the still unkn Benny Goodman. By late 1936, pop releases were discontinued, leaving the label essentially defunct. As southern gospel developed, Columbia h astutely sought to record the artists associated with the emerging genre; for example, Columbia was the company to record Charles Davis Tillman. Most fortuitously for Columbia in its Depression Era financial woes, in 1936 the company entered into an exclusive recording contract with the Chuck Wagon Gang, a hugely ful relationship which continued into the 1970s. A signature group of southern gospel, the Chuck Wagon Gang became Columbia&#39;s bestsellers with at least 37 records, many of them through the aegis of the Mull Singing Convention of the Air sponsored on rio (and later television) by southern gospel brocaster J. Bazzel Mull (1914&ndash;2006). Another event in this period that would prove to be of importance to Columbia was the 1937 hiring of talent scout, music writer, producer, and impresario John Hammond. Alongside his significance as a discoverer, promoter, and producer of jazz, blues, and folk artists during the sg music era, Hammond h alrey been of great help to Columbia in 1932&ndash;33. Through his involvement in the UK music paper Melody Maker, Hammond h arranged for the struggling US Columbia label to provide recordings for the UK Columbia label, mostly using the specially created Columbia W-265000 matrix series. Hammond recorded Fletcher Henderson, Benny Carter, Joe Venuti, Roger Wolfe Kahn and other jazz perers during a time when the economy was b enough that many of them would not have h the to enter a studio and play real jazz (a handful of these in this special series were issued in the US). Hammond&#39;s work for Columbia was interrupted by his service during World War II, and he h In 1935, Herbert M. Greenspon, an 18-year-old shipping clerk, led a committee to organize the first tre union shop at the main manufacturing factory in Bridgeport, Connecticut. Elected as president of the Congress of Indus Unions (CIO) local, Greenspon negotiated the first contract between factory workers and Columbia management. In a career with Columbia that lasted 30 years, Greenspon retired after achieving the position of executive vice president of the company. The Columbia Records factory in Bridgeport (which cd in 1964) was converted into an apartment building ed Columbia Towers. </span></td>
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