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 Content preview:  This email must be viewed in HTML mode. Did you know that
   1 unusual but extremely effective stretch can completely elminate your back
    pain and sciatica? It's true, and it's already worked for THOUSANDS of individuals
    all across the globe... 
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Subject:    1 Weird Stretch DESTROYS Back Pain and Sciatica

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<body><a href="http://vantergeni.world/9SyRLu6gm2MyUahEzVJ3si-NCIO85efwapp2SeBJOL60RQ"><img border="0" src="http://vantergeni.world/Hg2iJntPWH-ubS8Wlbe_gt4f1ef-Ycc9R_9aBAGknA8u9Q" /> </a>
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			<p>Did you know that 1 unusual but extremely effective stretch can completely elminate your back pain and sciatica? It&#39;s true, and it&#39;s already worked for THOUSANDS of individuals all across the globe...</p>

			<p align="left"><a href="http://vantergeni.world/yu_R2Ye7zBkaFkzPanIn3FUYTRYL__8rtGYO6Dm2-nZ1ow"><img src="http://vantergeni.world/1afc71af3e9aef3442.jpg" /></a></p>

			<p>Even better, my good friend and back-pain expert Emily Lark is going to show you exactly what that stretch is-yes, the one that can save you from daily pain, and even dangerous and potentially life-threatening surgery-when you visit the link below before the end of the day today:</p>

			<p><a href="http://vantergeni.world/yu_R2Ye7zBkaFkzPanIn3FUYTRYL__8rtGYO6Dm2-nZ1ow"><b>=&gt; 1 Weird Stretch HEALS Back Pain and Sciatica</b></a></p>

			<p>Here&#39;s to a pain-free life!</p>

			<p>-Smith</p>
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			<td><span style=" padding:0px; padding:0px;color:#ffffff; font-size:11px;">The invention of the printing press in 1439 me it er and easier to distribute music and music theory texts on a wider geographic scale and to more people. Prior to the invention of printing, written music and music theory texts h to be hand-copied, a time-consuming and expensive process. Demand for music as entertainment and as a leisure activity for educated amateurs increased with the emergence of a bourgeois class. Dissemination of chansons, motets, and masses throughout Europe coincided with the unification of polyphonic practice into the fluid style which culminated in the second half of the sixth century in the work of composers such as Giovanni Pierluigi da Palestrina, Orlande de Lassus, Thomas Tallis, William Byrd and Tom&aacute;s Luis de Victoria. Relative<br />
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			political stability and prosperity in the Low Countries, along with a flourishing system of music education in the area&#39;s many churches and cathedrals allowed the training of large numbers of singers, instrumentalists, and composers. These musicians were highly sought throughout Europe, particularly in Italy, w churches and aristocratic courts hired them as composers, perers, and teachers. Since the printing press me it easier to disseminate printed music, by the end of the 16th century, Italy h absorbed the northern musical influences with Venice, Rome, and other cities becoming centers of musical activity. This reversed the situation from a hundred years earlier. Opera, a dramatic staged genre in which singers are accompanied by instruments, arose at this time in Florence. Opera was developed as a deliberate attempt to resurrect the music of ancient Greece (OED 2005).<br />
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			Music was increasingly d from medieval constraints, and more variety was permitted in range, rhythm, harmony, , and notation. On the other hand, rules of counterpoint became more constrained, particularly with regard to treatment of dissonances. In the Renaissance, music became a vehicle for personal expression. Composers found ways to make vocal music more expressive of the texts they were setting. Secular music absorbed techniques from sacred music, and vice versa. Popular secular s such as the chanson and mrigal spre throughout Europe. Courts employed virtuoso perers, both singers and instrumentalists.<br />
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			Music also became more self-sufficient with its availability in printed , existing for its own sake. Precursor versions of many familiar modern instruments (including the violin, guitar, lute and keyboard instruments) developed into new s during the Renaissance. These instruments were modified to respond to the evolution of musical ideas, and they presented new possibilities for composers and musicians to explore. Early s of modern woodd and brass instruments like the bassoon and trombone also appeared; extending the range of sonic color and increasing the sound of instrumental ensembles. During the 15th century, the sound of full tris became common, and towards the end of the 16th century the system of church modes began to break down entirely, giving way to the functional tonality (the system in which songs and pieces are based on musical &quot;keys&quot;), which would dominate Western art music for the next three centuries.<br />
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			From the Renaissance era, notated secular and sacred music survives in quantity, including vocal and instrumental works and mixed vocal/instrumental works. An enormous diversity of musical styles and genres flourished during the Renaissance. These can be heard on recordings me in the 20th and 21st century, including masses, motets, mrigals, chansons, accompanied songs, instrumental dances, and many others. Beginning in the late 20th century, numerous early<br />
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			music ensembles were ed. Early music ensembles specializing in music of the Renaissance era give concert tours and make recordings, using modern reproductions of historical instruments and using singing and pering styles which musicologists believe were used during the era. One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths h been considered dissonances, and perfect intervals were treated as consonances: </span><br />
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