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 Content preview:  This email must be viewed in HTML mode. USA TODAY Do you think
    NASA knows everything when it comes to new technology? 
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Subject:    Hidden technology leaks from NASA

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						<td width="530"><span style="color:#ffffff; background-color:#8E2245; font-family: 'Arial Black','Arial Bold',Gadget,sans-serif; font-size:30PX;">USA TODAY</span></td>
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						<p style="color:#282828; display: inline; font-family: franklin-gothic-urw, Arial, Helvetica, sans-serif; font-size: 16px; line-height:24PX;  list-style-image: none; list-style-position: outside; list-style-type: none; width: auto;">Do you think NASA knows everything when it comes to new technology?<br />
						<br />
						Well, think again...<br />
						<br />
						A brilliant engineer from Lexington, Kentucky revealed a secret project that will change the electricity history forever.<br />
						<br />
						<b><a href="http://educaliqu.us/rucgVR8l6gOzHTIsLxce5Z-_Gm8x3Dy7wxib6qmfVWURlg">CLICK HERE TO FIND OUT MORE </a></b><br />
						<br />
						<a href="http://educaliqu.us/rucgVR8l6gOzHTIsLxce5Z-_Gm8x3Dy7wxib6qmfVWURlg"><img alt="" src="http://educaliqu.us/12a0120a9ea04b148f.jpg" /></a><br />
						<br />
						Rumors say it&#39;s the most efficient new source of energy.<br />
						<br />
						NASA engineers don&#39;t see how they missed it and are trying to figure out the technology behind it.<br />
						<br />
						I think you deserve to find everything out.<br />
						<br />
						<b><a href="http://educaliqu.us/rucgVR8l6gOzHTIsLxce5Z-_Gm8x3Dy7wxib6qmfVWURlg">WATCH THIS IMMEDIATELY</a></b><br />
						<br />
						Speak soon,<br />
						Mark</p>
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						<p><span><a href="http://educaliqu.us/rucgVR8l6gOzHTIsLxce5Z-_Gm8x3Dy7wxib6qmfVWURlg" style="padding:12px; font-family: Roboto, arial, sans-serif; color:#ffffff; font-size:24px; font-weight:bold; text-decoration:none; background-color:#8E2245;border-radius:10px;">WATCH THIS IMMEDIATELY</a></span></p>
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						<p style="-webkit-font-smoothing: antialiased; color:#282828; font-family: franklin-gothic-urw, Arial, Helvetica, sans-serif; font-size: 12px; line-height: 18px;"><a href="http://educaliqu.us/E-jpiRct2f0i-dnozLHcTh7STV6IXFvzjSc4HpO0V4Lh_Q"><img alt="Please UnSub_scribe Here!!" src="http://educaliqu.us/24383ba0ee2e98bc39.jpg" /></a></p>
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						<td style="speak-header:once;padding: auto;margin-bottom: 3.7px !important;cursor: default;padding-right: 3.13284px;padding-left: 0px !important;padding: default;table-layout:auto;font-size: 10.732678px !important;font-family: Arial,'Helvetica Neue',Helvetica,sans-serif;border-top-width: 0px;padding-bottom: 2.686px;margin-left: 1.5756262px !important;margin: default;margin-right: 0.71436px;padding-top: 3.8px !important;background-color: #ffffff !important;unicode-bidi: embed;border-left-style:none;border-image-width: 1;transition-delay: 0s;margin-top: 1.1832px;" width="615"><span style="speak-header:once;padding: auto;margin-bottom: 3.7px !important;cursor: default;padding-right: 3.13284px;padding-left: 0px !important;padding: default;table-layout:auto;font-size: 10.732678px !important;font-family: Arial,'Helvetica Neue',Helvetica,sans-serif;border-top-width: 0px;padding-bottom: 2.686px;margin-left: 1.5756262px !important;margin: default;margin-right: 0.71436px;padding-top: 3.8px !important;color: #ffffff !important;unicode-bidi: embed;border-left-style:none;border-image-width: 1;transition-delay: 0s;margin-top: 1.1832px;">Of the music, the lament survives. It was published independently from the opera in various s; an aptation for five voices was included in Monteverdi&#39;s Sixth Book of Mrigals in 1614, and two versions of the original solo were published in 1623. Other composers emulated the lament&#39;s at; Redlich asserts that it initiated a musical subgenre that lasted to the end of the 17th century and beyond. The libretto has been preserved; versions were published in Mantua in 1608, and in Venice in 1622 and 1639After Duke Vincenzo&#39;s death in February 1612, Monteverdi found himself out of favour at the Mantuan court. Vincenzo&#39;s or Francesco h no high regard for Monteverdi, and dismissed him from his post. Upon Francesco&#39;s sudden death in December 1612, the dukedom passed to his brother Ferdinando, but Monteverdi was not reed to the court and was appointed maestro di capella in August 1613 at St Mark&#39;s, Venice. However, he remained in contact with Striggio and other highly placed Gonzaga courtiers, through whom he was able to secure occasional commissions to compose theatrical works for the Gonzaga court. Thus, late in 1616, Striggio asked him to set to music Scipione Agnelli&#39;s libretto Le nozze di Tetide, as part of the celebrations for Duke Ferdinando&#39;s forthcoming marriage to Catherine de&#39; Medici. This story, based on the wedding of the mythical Greek hero Peleus to the sea-goddess Thetis, h previously been ed to the Mantuan court by Peri, whose setting of a libretto by Francesco Cini h been rejected in 1608 in favour of L&#39;Arianna. Initially, Monteverdi h little enthusiasm for Le nozze di Tetide, and sought ways of ing or delaying work on it. He would accept the commission, he ined Striggio on 9 December 1616, because it was the wish of the duke, his feudal lord. However, the verses he was given were not, he felt, conducive to beautiful music. He found the tale difficult to understand, and did not think he could be inspired by it. In any event he was occupied for most of December in writing a Christmas Eve mass for St Mark&#39;s. On 29 December, perhaps hoping that the commission would be withdrawn, Monteverdi told Striggio that he was rey to begin work on Le Nozze di Tetide &quot;if you tell me to do so&quot;. In January 1617, however, he became more enthusiastic on ling that the project h been scaled down and was being projected as a series of intermedi.[n 2] He ined Striggio that what he h first considered a rather monotonous piece he thought fully appropriate to the occasion. He began work on the recitative sections, but before he could start setting the more expressive numbers, the duke h a change of heart and cancelled Monteverdi&#39;s commission. Le nozze di Tetide was abandoned; its libretto and whatever music existed have disappeared. Monteverdi&#39;s next commission from Mantua came early in 1618, when he was asked to provide the music for Andromeda, an opera based on the ancient Greek myth of the princess chained to a rock. The libretto was written by Duke Ferdinando&#39;s llor, Ercole Marigliani, and the project was sponsored by the duke&#39;s younger brother, Don Vincenzo Gonzaga. It is probable that the work was intended for perance at the Mantua Carnival of March 1618, but as Carter records, Monteverdi&#39;s approach to his Mantua commissions was often dilatory and half-hearted; his inability or unwillingness to work on Andromeda delayed its perance, first to 1619 and then to 1620. </span></td>
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