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m the beginnings of human behavioral modernity in the Upper Paleolithic, about 40,000 years ago, examples of zoomorphic (animal-shaped) works of art occur that may represent the earliest evidence we have of anthropomorphism. One of the oldest known is an ivory sculpture, the Löwenmensch figurine, Germany, a human-shaped figurine with the head of a lioness or lion, determined to be about 32,000 years old.[5][6] It is not possible to say what these prehistoric artworks represent. A more recent example is The Sorcerer, an enigmatic cave painting from the Trois-Frères Cave, Ariège, France: the figure's significance is unknown, but it is usually interpreted as some kind of great spirit or master of the animals. In either case there is an element of anthropomorphism. This anthropomorphic art has been linked by archaeologist Steven Mithen with the emergence of more systematic hunting practices in the Upper Palaeolithic.[7] He proposes that these are the product of a change in the architecture of the human mind, an increasing fluidity between the natural history and social intelligences, where anthropomorphism allowed hunters to identify empathetically with hunted animals and better predict their movements.[c] In religion and mythology Main article: Anthropotheism In religion and mythology, anthropomorphism is the perception of a divine being or beings in human form, or the recognition of human qualities in these beings. Ancient mythologies frequently represented the divine as deities with human forms and qualities. They resemble human beings not only in appearance and personality; they exhibited many human behaviors that were used to explain natural phenomena, creation, and historical events. The deities fell in love, married, had children, fought battles, wielded weapons, and rode horses and chariots. They feasted on special foods, and sometimes required sacrifices of food, beverage, and sacred objects to be made by human beings. Some anthropomorphic deities represented specific human concepts, such as love, war, fertility, beauty, or the seasons. Anthropomorphic deities exhibited human qualities such as beauty, wisdom, and power, and sometimes human weaknesses such as greed, hatred, jealousy, and uncontrollable anger. Greek deities such as Zeus and Apollo often were depicted in human form exhibiting both commendable and despicable human traits. Anthropomorphism in this case is, more specifically, anthropotheism.[9] From the perspective of adherents to religions in which humans were created in the form of the divine, the phenomenon may be considered theomorphism, or the giving of divine qualities to hum

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<span style=3D"color:#FFFFFF;">m the beginnings of human behavioral moderni=
ty in the Upper Paleolithic, about 40,000 years ago, examples of zoomorphic=
 (animal-shaped) works of art occur that may represent the earliest evidenc=
e we have of anthropomorphism. One of the oldest known is an ivory sculptur=
e, the L=C3=B6wenmensch figurine, Germany, a human-shaped figurine with the=
 head of a lioness or lion, determined to be about 32,000 years old.[5][6]

It is not possible to say what these prehistoric artworks represent. A more=
 recent example is The Sorcerer, an enigmatic cave painting from the Trois-=
Fr=C3=A8res Cave, Ari=C3=A8ge, France: the figure's significance is unknown=
, but it is usually interpreted as some kind of great spirit or master of t=
he animals. In either case there is an element of anthropomorphism.

This anthropomorphic art has been linked by archaeologist Steven Mithen wit=
h the emergence of more systematic hunting practices in the Upper Palaeolit=
hic.[7] He proposes that these are the product of a change in the architect=
ure of the human mind, an increasing fluidity between the natural history a=
nd social intelligences, where anthropomorphism allowed hunters to identify=
 empathetically with hunted animals and better predict their movements.[c]

In religion and mythology
Main article: Anthropotheism
In religion and mythology, anthropomorphism is the perception of a divine b=
eing or beings in human form, or the recognition of human qualities in thes=
e beings.

Ancient mythologies frequently represented the divine as deities with human=
 forms and qualities. They resemble human beings not only in appearance and=
 personality; they exhibited many human behaviors that were used to explain=
 natural phenomena, creation, and historical events. The deities fell in lo=
ve, married, had children, fought battles, wielded weapons, and rode horses=
 and chariots. They feasted on special foods, and sometimes required sacrif=
ices of food, beverage, and sacred objects to be made by human beings. Some=
 anthropomorphic deities represented specific human concepts, such as love,=
 war, fertility, beauty, or the seasons. Anthropomorphic deities exhibited =
human qualities such as beauty, wisdom, and power, and sometimes human weak=
nesses such as greed, hatred, jealousy, and uncontrollable anger. Greek dei=
ties such as Zeus and Apollo often were depicted in human form exhibiting b=
oth commendable and despicable human traits. Anthropomorphism in this case =
is, more specifically, anthropotheism.[9]

From the perspective of adherents to religions in which humans were created=
 in the form of the divine, the phenomenon may be considered theomorphism, =
or the giving of divine qualities to hum</span></div>
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