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Current File : /home/dna1981/mail/.spam/new/1612780305.M672942P12069.dna.dna-1981.com,S=11388,W=11581
Envelope-to: b.smith@smithfamilycarpets.com
Delivery-date: Mon, 08 Feb 2021 04:31:45 -0600
Date: Mon, 8 Feb 2021 02:30:59 -0800
To: <b.smith@smithfamilycarpets.com>
Message-ID: <11803874814435411805059210501587@15zo9kw4.ketoafter50.us>
From: "DronePro_4K" <DronePro_4K@ketoafter50.us>
Content-Language: en-us
MIME-Version: 1.0
Content-Transfer-Encoding: 8bit
Content-Type: multipart/alternative;
	boundary="----=Part.497.588.1612780259"
    
 Content analysis details:   (19.9 points, 4.0 required)
  pts rule name              description
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  0.0 URIBL_BLOCKED          ADMINISTRATOR NOTICE: The query to URIBL was
                             blocked.  See
                             http://wiki.apache.org/spamassassin/DnsBlocklists#dnsbl-block
                              for more information.
                             [URIs: ketoafter50.us]
  4.5 URIBL_DBL_SPAM         Contains a spam URL listed in the Spamhaus DBL
                             blocklist
                             [URIs: ketoafter50.us]
  2.7 RCVD_IN_PSBL           RBL: Received via a relay in PSBL
                             [23.228.101.62 listed in psbl.surriel.com]
  1.3 RCVD_IN_BL_SPAMCOP_NET RBL: Received via a relay in
                             bl.spamcop.net
               [Blocked - see <https://www.spamcop.net/bl.shtml?23.228.101.62>]
  1.0 BAYES_999              BODY: Bayes spam probability is 99.9 to 100%
                             [score: 1.0000]
  5.0 BAYES_99               BODY: Bayes spam probability is 99 to 100%
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  0.0 HTML_FONT_LOW_CONTRAST BODY: HTML font color similar or
                             identical to background
  0.0 HTML_MESSAGE           BODY: HTML included in message
  1.9 RAZOR2_CF_RANGE_51_100 Razor2 gives confidence level above 50%
                             [cf: 100]
  0.9 RAZOR2_CHECK           Listed in Razor2 (http://razor.sf.net/)
  0.8 CPANEL_LOTS_OF_EMPTY_LINE RAW: Spam that has large block of
                             empty lines
  1.0 KAM_LAZY_DOMAIN_SECURITY Sending domain does not have any
                             anti-forgery methods
  0.8 KAM_INFOUSMEBIZ        Prevalent use of
                             .info|.us|.me|.me.uk|.biz|xyz|id|rocks|life
                              domains in spam/malware
  0.0 FSL_BULK_SIG           Bulk signature with no Unsubscribe
  0.0 T_REMOTE_IMAGE         Message contains an external image
X-Spam-Flag: YES
Subject:    The_perfect_professional_drone_on_a_budget.

------=Part.497.588.1612780259
Content-Transfer-Encoding: 8bit
Content-Type: text/plain; charset="UTF-8"


 
If you trouble with image, use this link.
http://www.ketoafter50.us/1180-92-505-48144354/b.smith/tindex8.html

The_perfect_professional_drone_on_a_budget.

http://www.ketoafter50.us/1180-92-505-48144354/b.smith/tindex9.html










 












http://www.ketoafter50.us/1180-92-505-48144354/b.smith/rindex10.html






ility tour.[33] The images displayed on the triptych focused on storm and water imagery. And All That Could Have Been features an audio commentary track by Viola describing the display and his inspirations for it.[73] For the Live: With Teeth tour, Roy Bennett and Martin Phillips were responsible for the lighting design and stage design respectively.[74] Bennett explained in a 2005 interview that much of the lighting was done using a series of LED lights arranged in "stalactites or stalagmites [formations] to tie in to the album artwork". DLP projectors were also used to project images onto a gauze screen in front of the stage. A Nine Inch Nails performance during the Live: With Teeth tour featuring the "teeth" lighting fixtures Using the gauze projection-screen, Phillips, Reznor, and Sheridan devised a "gag" where they projected "a sheet of glass shattering onto a downstage kabuki scrim that would drop as the glass shatters fell. ... We settled on Trent swinging his guitar at the gauze [and] shattering it, but with all the pieces falling up as the [screen] flew out".[74] This technique can be seen in the tour documentary Beside You in Time. In contrast to the lighting of previous tours, Performance 2007 featured minimal lighting that was designed to shadow Reznor and the band.[75] The visual elements of the live shows has been subject to much commentary. The Boston Globe described the Fragility tour as "one of the most outstanding light shows in memory".[76] A reviewer from the Contra Costa Times described a Live: With Teeth performance as being "heightened by just the right amount of dark purple or blue spotlights, with up-lighting from the sta

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