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Date: Mon, 14 Jun 2021 07:16:24 -0400
From: "Kohls Shopper Feedback" <KohlsShopperGiftOpportunity@promindboost.us>
Reply-To: "Kohls Shopper Gift Opportunity" <KohlsShopperFeedback@promindboost.us>
To: <c.wilson@smithfamilycarpets.com>
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Subject:    Leave your feedback and you could WIN!

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Leave your feedback and you could WIN!

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ith the Space Race between the USSR and the USA going on, documentaries and illustrations of actual events, pioneers and technology were plenty. Any movie featuring realistic space travel was at risk of being obsolete at its time of release, rather fossil than fiction. There were relatively few science fiction films in the 1960s, but some of the films transformed science fiction cinema. Stanley Kubrick's 2001: A Space Odyssey (1968) brought new realism to the genre, with its groundbreaking visual effects and realistic portrayal of space travel and influenced the genre with its epic story and transcendent philosophical scope. Other 1960s films included Planet of the Vampires (1965) by Italian filmmaker Mario Bava, that is regarded as one of the best movies of the period, Planet of the Apes (1968) and Fahrenheit 451 (1966), which provided social commentary, and the campy Barbarella (1968), which explored the comical side of earlier science fiction. Jean-Luc Godard's French "new wave" film Alphaville (1965) posited a futuristic Paris commanded by an artificial intelligence which has outlawed all emotion.

See also: List of science fiction films of the 1970s and List of science fiction films of the 1980s
The era of manned trips to the Moon in 1969 and the 1970s saw a resurgence of interest in the science fiction film. Andrei Tarkovsky's Solaris (1972) and Stalker (1979) are two widely acclaimed examples of the renewed interest of film auteurs in science fiction. Science fiction films from the early 1970s explored the theme of paranoia, in which humanity is depicted as under threat from sociological, ecological or technological adversaries of its own creation, such as George Lucas's directional debut THX 1138 (1971), The Andromeda Strain (1971), Silent Running (1972), Soylent Green (1973), Westworld (1973) and its sequel Futureworld (1976), and Logan's Run (1976). The science fiction comedies of the 1970s included Woody Allen's Sleeper (1973), and John Carpenter's Dark Star (1974).

Star Wars (1977) and Close Encounters of the Third Kind (1977) were box-office hits that brought about a huge increase in science fiction films. In 1979, Star Trek: The Motion Picture brought the television series to the big screen for the first time. It was also in this period that the Walt Disney Company released many science fiction films for family audiences such as The Black Hole, Flight of the Navigator, and Honey, I Shrunk the Kids. The sequels to Star Wars, The Empire Strikes Back (1980) and Return of the Jedi (1983), also saw worldwide box office success. Ridley Scott's films, such as Alien (1979) and Blade Runner (1982), along with James Cameron's The Terminator (1984), presented the future as dark, dirty and chaotic, and depicted aliens and androids as hostile and dangerous. In contrast, Steven Spielberg's E.T. the Extra-Terrestrial (1982), one of the most successful films of the 1980s, presented aliens as benign and friendly, a theme already present in Spielberg's own Close Encounters of the Third Kind.

The big budget adaptations of Frank Herbert's Dune and Alex Raymond's Flash Gordon, as well as Peter Hyams's sequel to 2001, 2010: The Year We Make Contact (based on 2001 author Arthur C. Clarke's novel 2010: Odyssey Two), were box office failures that dissuaded producers from investing in science fiction literary properties. Disney's Tron (1982) turned out to be a moderate success. The strongest contributors to the genre during the second half of the 1980s were James Cameron and Paul Verhoeven with The Terminator and RoboCop entries. Robert Zemeckis' film Back to the Future (1985) and its sequels were critically praised and became box office successes, not to mention international phenomena. James Cameron's sequel to Alien, Aliens (1986), was very different from the original film, falling more into the action/science fiction genre, it was both a critical and commercial success and Sigourney Weaver was nominated for Best Actress in a Leading Role at the Academy Awards. The Japanese anime film Akira (1988) also had a big influence outside Japan when released.

See also: List of science fiction films of the 1990s and List of science fiction films of the 2000s
In the 1990s, the emergence of the World Wide Web and the cyberpunk genre spawned several movies on the theme of the computer-human interface, such as Terminator 2: Judgment Day (1991), Total Recall (1990), The Lawnmower Man (1992), and The Matrix (1999). Other themes included disaster films (e.g., Armageddon and Deep Impact, both 1998), alien invasion (e.g., Independence Day (1996)) and genetic experimentation (e.g., Jurassic Park (1993) and Gattaca (1997)). Also, the Star Wars prequel trilogy began with the relea

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<span style="color:#FFFFFF; font-size:3px;">ith the Space Race between the USSR and the USA going on, documentaries and illustrations of actual events, pioneers and technology were plenty. Any movie featuring realistic space travel was at risk of being obsolete at its time of release, rather fossil than fiction. There were relatively few science fiction films in the 1960s, but some of the films transformed science fiction cinema. Stanley Kubrick&#39;s 2001: A Space Odyssey (1968) brought new realism to the genre, with its groundbreaking visual effects and realistic portrayal of space travel and influenced the genre with its epic story and transcendent philosophical scope. Other 1960s films included Planet of the Vampires (1965) by Italian filmmaker Mario Bava, that is regarded as one of the best movies of the period, Planet of the Apes (1968) and Fahrenheit 451 (1966), which provided social commentary, and the campy Barbarella (1968), which explored the comical side of earlier science fiction. Jean-Luc Godard&#39;s French &quot;new wave&quot; film Alphaville (1965) posited a futuristic Paris commanded by an artificial intelligence which has outlawed all emotion. See also: List of science fiction films of the 1970s and List of science fiction films of the 1980s The era of manned trips to the Moon in 1969 and the 1970s saw a resurgence of interest in the science fiction film. Andrei Tarkovsky&#39;s Solaris (1972) and Stalker (1979) are two widely acclaimed examples of the renewed interest of film auteurs in science fiction. Science fiction films from the early 1970s explored the theme of paranoia, in which humanity is depicted as under threat from sociological, ecological or technological adversaries of its own creation, such as George Lucas&#39;s directional debut THX 1138 (1971), The Andromeda Strain (1971), Silent Running (1972), Soylent Green (1973), Westworld (1973) and its sequel Futureworld (1976), and Logan&#39;s Run (1976). The science fiction comedies of the 1970s included Woody Allen&#39;s Sleeper (1973), and John Carpenter&#39;s Dark Star (1974). Star Wars (1977) and Close Encounters of the Third Kind (1977) were box-office hits that brought about a huge increase in science fiction films. In 1979, Star Trek: The Motion Picture brought the television series to the big screen for the first time. It was also in this period that the Walt Disney Company released many science fiction films for family audiences such as The Black Hole, Flight of the Navigator, and Honey, I Shrunk the Kids. The sequels to Star Wars, The Empire Strikes Back (1980) and Return of the Jedi (1983), also saw worldwide box office success. Ridley Scott&#39;s films, such as Alien (1979) and Blade Runner (1982), along with James Cameron&#39;s The Terminator (1984), presented the future as dark, dirty and chaotic, and depicted aliens and androids as hostile and dangerous. In contrast, Steven Spielberg&#39;s E.T. the Extra-Terrestrial (1982), one of the most successful films of the 1980s, presented aliens as benign and friendly, a theme already present in Spielberg&#39;s own Close Encounters of the Third Kind. The big budget adaptations of Frank Herbert&#39;s Dune and Alex Raymond&#39;s Flash Gordon, as well as Peter Hyams&#39;s sequel to 2001, 2010: The Year We Make Contact (based on 2001 author Arthur C. Clarke&#39;s novel 2010: Odyssey Two), were box office failures that dissuaded producers from investing in science fiction literary properties. Disney&#39;s Tron (1982) turned out to be a moderate success. The strongest contributors to the genre during the second half of the 1980s were James Cameron and Paul Verhoeven with The Terminator and RoboCop entries. Robert Zemeckis&#39; film Back to the Future (1985) and its sequels were critically praised and became box office successes, not to mention international phenomena. James Cameron&#39;s sequel to Alien, Aliens (1986), was very different from the original film, falling more into the action/science fiction genre, it was both a critical and commercial success and Sigourney Weaver was nominated for Best Actress in a Leading Role at the Academy Awards. The Japanese anime film Akira (1988) also had a big influence outside Japan when released. See also: List of science fiction films of the 1990s and List of science fiction films of the 2000s In the 1990s, the emergence of the World Wide Web and the cyberpunk genre spawned several movies on the theme of the computer-human interface, such as Terminator 2: Judgment Day (1991), Total Recall (1990), The Lawnmower Man (1992), and The Matrix (1999). Other themes included disaster films (e.g., Armageddon and Deep Impact, both 1998), alien invasion (e.g., Independence Day (1996)) and genetic experimentation (e.g., Jurassic Park (1993) and Gattaca (1997)). Also, the Star Wars prequel trilogy began with the relea</span></body>
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