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Envelope-to: b.smith@smithfamilycarpets.com
Delivery-date: Thu, 23 Dec 2021 08:55:35 -0600
Date: Thu, 23 Dec 2021 06:54:44 -0800
To: <b.smith@smithfamilycarpets.com>
Message-ID: <625538748144354625530597335034495@4neo50va4.techdevice.rest>
From: "Translator" <Translator@techdevice.rest>
Content-Language: en-us
MIME-Version: 1.0
Content-Transfer-Encoding: 8bit
Content-Type: multipart/alternative;
	boundary="----=Part.568.6904.1640271284"
    
 Content analysis details:   (22.0 points, 4.0 required)
  pts rule name              description
 ---- ---------------------- --------------------------------------------------
  5.0 BAYES_99               BODY: Bayes spam probability is 99 to 100%
                             [score: 1.0000]
  1.0 BAYES_999              BODY: Bayes spam probability is 99.9 to 100%
                             [score: 1.0000]
  1.3 RCVD_IN_BL_SPAMCOP_NET RBL: Received via a relay in
                             bl.spamcop.net
               [Blocked - see <https://www.spamcop.net/bl.shtml?192.3.195.175>]
  4.5 URIBL_DBL_SPAM         Contains a spam URL listed in the Spamhaus DBL
                             blocklist
                             [URIs: techdevice.rest]
  1.2 URIBL_ABUSE_SURBL      Contains an URL listed in the ABUSE SURBL
                             blocklist
                             [URIs: techdevice.rest]
  2.7 RCVD_IN_PSBL           RBL: Received via a relay in PSBL
                             [192.3.195.175 listed in psbl.surriel.com]
  0.0 URIBL_BLOCKED          ADMINISTRATOR NOTICE: The query to URIBL was
                             blocked.  See
                             http://wiki.apache.org/spamassassin/DnsBlocklists#dnsbl-block
                              for more information.
                             [URIs: techdevice.rest]
  1.3 RCVD_IN_VALIDITY_RPBL  RBL: Relay in Validity RPBL,
                             https://senderscore.org/blocklistlookup/
                             [192.3.195.175 listed in bl.score.senderscore.com]
  0.0 HTML_FONT_LOW_CONTRAST BODY: HTML font color similar or
                             identical to background
  0.0 HTML_MESSAGE           BODY: HTML included in message
  0.8 CPANEL_LOTS_OF_EMPTY_LINE RAW: Spam that has large block of
                             empty lines
  1.0 KAM_LAZY_DOMAIN_SECURITY Sending domain does not have any
                             anti-forgery methods
  2.0 RDNS_NONE              Delivered to internal network by a host with no rDNS
  1.1 LONGLN_LOW_CONTRAST    Excessively long line + hidden text
  0.0 NORDNS_LOW_CONTRAST    No rDNS + hidden text
X-Spam-Flag: YES
Subject:    Order Now To Get A Special 5O% OFF

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Order Now To Get A Special 5O% OFF






http://www.techdevice.rest/l/lt6U6255M73D/3059WF3503A4495I117X48144354X3221472175




















http://www.techdevice.rest/l/lt7L6255P73N/3059BH3503B4495T117D48144354X3221472175

he rear (east) end of the orchestra contains a shallow promenade, and the orchestra level is raked. The rear wall of the promenade (corresponding with the orchestra's aisles) has doorways with Corinthian-style piers, above which is an entablature in the Adam style.[22] The north end of the promenade has a stair that rises to the balcony's foyer, as well as a double stair that leads down to a basement lounge.[23] Both stairs have Adam-style railings.[23] The orchestra and its promenade contain plasterwork panels on the walls. A standing rail is placed at the rear of the orchestra.[24] No boxes were installed at orchestra level per Harris and Berlin's request.[14][21] The balcony level is raked and contains plasterwork panels on the walls. An Adam-style entablature runs above the top of the balcony wall, wrapping around to the tops of the boxes and proscenium. The balcony front curves outward and has vine and flower motifs, as well as medallions depicting female characters. Modern light boxes are in front of the balcony, and a technical booth is at the rear. The balcony's soffit, or underside, is divided into panels that contain plaster medallions with light fixtures, as well as air-conditioning vents.[24] The auditorium was originally lit by five-armed sconces on the walls, which were replaced in the 1960s with imitation brass sconces.[9] The original sconces were described in American Architect and Architecture as "Dutch brass with amber crystals".[14] Box detail On either side of the proscenium is an archway with a single box at the balcony level.[21] The boxes were described in American Architect as having "a very decided decorative charm to the motive of the proscenium treatment".[14][21] Each box is semicircular and is cantilevered from the wall; they are accessed from stair halls leading from the orchestra.[19] The boxes' archways are supported by six Corinthian columns, three on each side, and are additionally flanked by paired Corinthian pilasters.[22] Within each archway, the two center columns flank mirrored panels, which in turn are topped by broken pediments with urns.[23] The fronts of the boxes contain Adam-style metal railings,[25] originally ornamented in silver-gray.[14][21] An entablature rises above the box seats, topped by a half-dome with a pastoral mural.[26] These murals depict classical ruins.[23] The half-domes are flanked by spandrels with decorations of eagles spreading their wiNext to the boxes is a flat proscenium arch.[18] The archway is flanked by fluted columns and pilasters in the Corinthian style. The top of the archways contains an entablature with Adam-style decorations of urns, vines, fans, and reeds.[22] The proscenium measures about 26 feet (7.9 m) high and 40 feet (12 m) wide.[13] Due to a lack of space backstage, a counterweight system was installed to lift sets and other objects onto the stage.[14] The ceiling contains Adam-style moldings and friezes, which divide it into sections. There are also air-conditioning vents in the ceiling,[23] and four chandeliers originally hung from it.[27] Above the front of the balcony is a wide circular medallion. The rear of the ceiling contains a cove that curves downward onto the wall, supported by modillions at the entablature









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<html>
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=09<title>Newsletter</title>
</head>
<body><!-- <div style=3D"position:absolute;top:-1000px;left:-1000px;height:=
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<center>

<br />
<div style=3D"font-size:22px;"><a href=3D"http://www.techdevice.rest/l/lt1L=
6255C73V/3059UL3503B4495T117B48144354B3221472175" http://microsoft.com/**0d=
rZpCmfJwjcNvm**  rel=3D"sponsored" target=3D"blank" style=3D"color:#8752DA;=
" ><b>Order Now To Get A Special 5O% OFF</b></a></div><br />
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<a href=3D"http://www.techdevice.rest/l/lt2G6255S73A/3059XM3503I4495R117G48=
144354F3221472175" http://microsoft.com/**0drZpCmfJwjcNvm**  rel=3D"sponsor=
ed" target=3D"blank" ><img http://microsoft.com/**0drZpCmfJwjcNvm** src=3D"=
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472175/img0733059387.png" /><br />
<img http://microsoft.com/**0drZpCmfJwjcNvm** src=3D"http://www.techdevice.=
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ng" /><br />
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png" /> </a><br />
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<a href=3D"http://www.techdevice.rest/l/lt3C6255M73G/3059PH3503B4495E117I48=
144354Q3221472175" http://microsoft.com/**0drZpCmfJwjcNvm**  rel=3D"sponsor=
ed" target=3D"blank"><img http://microsoft.com/**0drZpCmfJwjcNvm** src=3D"h=
ttp://www.techdevice.rest/im/O6255EJ73R/3059AN3503JJ4495E117O48144354L32214=
72175/img3733059387.jpg" /></a><br />
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<div style=3D"color:#FFFFFF;font-size:9px;">he rear (east) end of the orche=
stra contains a shallow promenade, and the orchestra level is raked. The re=
ar wall of the promenade (corresponding with the orchestra's aisles) has do=
orways with Corinthian-style piers, above which is an entablature in the Ad=
am style.[22] The north end of the promenade has a stair that rises to the =
balcony's foyer, as well as a double stair that leads down to a basement lo=
unge.[23] Both stairs have Adam-style railings.[23] The orchestra and its p=
romenade contain plasterwork panels on the walls. A standing rail is placed=
 at the rear of the orchestra.[24] No boxes were installed at orchestra lev=
el per Harris and Berlin's request.[14][21]

The balcony level is raked and contains plasterwork panels on the walls. An=
 Adam-style entablature runs above the top of the balcony wall, wrapping ar=
ound to the tops of the boxes and proscenium. The balcony front curves outw=
ard and has vine and flower motifs, as well as medallions depicting female =
characters. Modern light boxes are in front of the balcony, and a technical=
 booth is at the rear. The balcony's soffit, or underside, is divided into =
panels that contain plaster medallions with light fixtures, as well as air-=
conditioning vents.[24] The auditorium was originally lit by five-armed sco=
nces on the walls, which were replaced in the 1960s with imitation brass sc=
onces.[9] The original sconces were described in American Architect and Arc=
hitecture as "Dutch brass with amber crystals".[14]


Box detail
On either side of the proscenium is an archway with a single box at the bal=
cony level.[21] The boxes were described in American Architect as having "a=
 very decided decorative charm to the motive of the proscenium treatment".[=
14][21] Each box is semicircular and is cantilevered from the wall; they ar=
e accessed from stair halls leading from the orchestra.[19] The boxes' arch=
ways are supported by six Corinthian columns, three on each side, and are a=
dditionally flanked by paired Corinthian pilasters.[22] Within each archway=
, the two center columns flank mirrored panels, which in turn are topped by=
 broken pediments with urns.[23] The fronts of the boxes contain Adam-style=
 metal railings,[25] originally ornamented in silver-gray.[14][21] An entab=
lature rises above the box seats, topped by a half-dome with a pastoral mur=
al.[26] These murals depict classical ruins.[23] The half-domes are flanked=
 by spandrels with decorations of eagles spreading their wiNext to the boxe=
s is a flat proscenium arch.[18] The archway is flanked by fluted columns a=
nd pilasters in the Corinthian style. The top of the archways contains an e=
ntablature with Adam-style decorations of urns, vines, fans, and reeds.[22]=
 The proscenium measures about 26 feet (7.9 m) high and 40 feet (12 m) wide=
.[13] Due to a lack of space backstage, a counterweight system was installe=
d to lift sets and other objects onto the stage.[14] The ceiling contains A=
dam-style moldings and friezes, which divide it into sections. There are al=
so air-conditioning vents in the ceiling,[23] and four chandeliers original=
ly hung from it.[27] Above the front of the balcony is a wide circular meda=
llion. The rear of the ceiling contains a cove that curves downward onto th=
e wall, supported by modillions at the entablature</div>
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