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Date: Sun, 26 Apr 2020 07:23:47 -0400
From: "Dial Vision" <DialVision@lifeguides.guru>
Reply-To: "**Dial Vision**" <**DialVision**@lifeguides.guru>
To: <sales@thelogomasters.com>
Message-ID: <n58ho4ij7sx34zxi-g7a8z5tcqu387qzs-5197-476e@lifeguides.guru>
 
 Content preview:  The vision is totally clear and with pure detail http://lifeguides.guru/PH0u_NHn-mIf7CtoCgz9ZRVKq16sH9EWARQje2oCq-XO1frH
    http://lifeguides.guru/dDq4vsHPrwI6WBKy4RspIM4akrLDtGa1uxfeMNVAwUWwjhUY 
 
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Subject:    The vision is totally clear and with pure detail

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The vision is totally clear and with pure detail

http://lifeguides.guru/PH0u_NHn-mIf7CtoCgz9ZRVKq16sH9EWARQje2oCq-XO1frH

http://lifeguides.guru/dDq4vsHPrwI6WBKy4RspIM4akrLDtGa1uxfeMNVAwUWwjhUY

cing figures in the ice is the oldest form of figure skating, especially during its first 200 years of existence, when it was a recreational activity practiced mostly by men. Combined skating, or "the sophisticated tracing of geometric figures by groups of skaters", dominated the sport for almost 50 years in England. The Art of Skating, one of the earliest books about figure skating, was written by Robert Jones in 1772 and described five advanced figures, three of which were illustrated with large color plates. Jones' limited body of figures, which emphasized correct technique, were the accepted and basic repertoire of figures in 18th century England. The Edinburgh Skating Club, one of the oldest skating clubs in the world, described combined figures and those done by multiple skaters; interlocking figure eights were the most important. According to writer Ellyn Kestnbaum, the Edinburgh Skating Club required prospective members to pass proficiency tests in what became compulsory figures. The London Skating Club, founded in 1830 in London, also required proficiency tests for members and pioneered combined skating, which contributed to the evolution of school figures. Artistic skating in France, which was derived from the English style of figure skating and was influenced by ballet, developed figures that emphasized artistry, body position, and grace of execution. Jean Garcin, a member of an elite group of skaters in France, wrote a book about figure skating in 1813 that included descriptions and illustrations of over 30 figures, including a series of circle-eight figures that skaters still use today.

George Anderson, writing in 1852, described backward-skating figures, including the flying Mercury and the shamrock, as well as the Q figure, which became, in its various forms, an important part of the repertoire of skating movements for the rest of the 1800s. Anderson also described two combined figures, the salutation (already described by Jones) and the satellite. By the 1850s, the most important figures (eights, threes, and Qs) were developed, and formed the basis for figure skating at the time. In 1869, Henry Vandervell and T. Maxwell Witham from the London Skating Club wrote System of Figure Skating, which described variations of the three turn (the only figure known before 1860), the bracket (first done on roller skates), the rocker, the Mohawk, the loop, the Q, and other figures. The Mohawk, a two-foot turn on the same circle, most likely originated in North America. Figure skating historian James Hines called grapevines, which was probably invented in Canada, "the most American of all figures". The Viennese style of figure skating, as described by Max Wirth's book in 1881, described connecting figures, which ultimately led to modern free skating programs.

In 1868, the American Skating Congress, precursor to U.S. Figure Skating, adopted a series of movements used during competitions between skaters from the U.S. and Canada. Until 1947, for approximately the first 50 years of the existence of figure skating as a sport, compulsory figures made up 60 percent of the total score at most competitions around the world. Other competitions held in the late 19th and early 20th centuries included special figures, freeskating, and compulsories, most of the points they earned going towards how they performed the same set of compulsory moves. The first internation

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<span style="color:#FFFFFF;">cing figures in the ice is the oldest form of figure skating, especially during its first 200 years of existence, when it was a recreational activity practiced mostly by men. Combined skating, or &quot;the sophisticated tracing of geometric figures by groups of skaters&quot;, dominated the sport for almost 50 years in England. The Art of Skating, one of the earliest books about figure skating, was written by Robert Jones in 1772 and described five advanced figures, three of which were illustrated with large color plates. Jones&#39; limited body of figures, which emphasized correct technique, were the accepted and basic repertoire of figures in 18th century England. The Edinburgh Skating Club, one of the oldest skating clubs in the world, described combined figures and those done by multiple skaters; interlocking figure eights were the most important. According to writer Ellyn Kestnbaum, the Edinburgh Skating Club required prospective members to pass proficiency tests in what became compulsory figures. The London Skating Club, founded in 1830 in London, also required proficiency tests for members and pioneered combined skating, which contributed to the evolution of school figures. Artistic skating in France, which was derived from the English style of figure skating and was influenced by ballet, developed figures that emphasized artistry, body position, and grace of execution. Jean Garcin, a member of an elite group of skaters in France, wrote a book about figure skating in 1813 that included descriptions and illustrations of over 30 figures, including a series of circle-eight figures that skaters still use today. George Anderson, writing in 1852, described backward-skating figures, including the flying Mercury and the shamrock, as well as the Q figure, which became, in its various forms, an important part of the repertoire of skating movements for the rest of the 1800s. Anderson also described two combined figures, the salutation (already described by Jones) and the satellite. By the 1850s, the most important figures (eights, threes, and Qs) were developed, and formed the basis for figure skating at the time. In 1869, Henry Vandervell and T. Maxwell Witham from the London Skating Club wrote System of Figure Skating, which described variations of the three turn (the only figure known before 1860), the bracket (first done on roller skates), the rocker, the Mohawk, the loop, the Q, and other figures. The Mohawk, a two-foot turn on the same circle, most likely originated in North America. Figure skating historian James Hines called grapevines, which was probably invented in Canada, &quot;the most American of all figures&quot;. The Viennese style of figure skating, as described by Max Wirth&#39;s book in 1881, described connecting figures, which ultimately led to modern free skating programs. In 1868, the American Skating Congress, precursor to U.S. Figure Skating, adopted a series of movements used during competitions between skaters from the U.S. and Canada. Until 1947, for approximately the first 50 years of the existence of figure skating as a sport, compulsory figures made up 60 percent of the total score at most competitions around the world. Other competitions held in the late 19th and early 20th centuries included special figures, freeskating, and compulsories, most of the points they earned going towards how they performed the same set of compulsory moves. The first internation</span><br />
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